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Next up: the Spectrograph, a graph plotted on two axes.
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Just keep in mind: the smaller the number, the better. That means very small corrections-less than an 1/8th +- G. None of the lights tested went beyond 1M/G on the meter. 7M, it is essentially saying the image has a bit of green, and will tell you what filter you need to correct it on the filter page (the closer to "0" the better). It's telling you though an internal lookup table what gels or camera filter to add to correct it, not what is there. The CCi reading below that is the magenta or green correction level. The top row, CCT, is your measured color temperature. ARRI: Skypanel S60-C LED Softlight - $5,625.Cineo: HSX Color Tunable Fixture - $3,735.33.Outsight Creamsource: Doppio+ Bender Bi Color 2x1 LED - $3,695.Fiilex: Matrix Bi Color Panel Light - $2,495.Mole Richardson: Junior LED 200W Tungsten DMX - $2,409.95.Cineo: Maverick (Tungsten & Daylight units): $2,150,50.BB&S Lighting: PipeLine Remote Phosphor 4' LED Bank - $1,997.45.Quasar Science: QLED - $1400 ($250 per bulb, we had an array of 4 with Housing).Westcott: Flex X-bracket Bi-Color - $899.More specs for each are listed at the bottom of the post: Here are the lights we tested (in ascending price order). Do your best to watch on a calibrated monitor. Your eyes will be the best judge overall.
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At the top of the "data" section, you can download R3D stills of each light as well as the Waveforms and RGB data sheet if you want to examine anything more closely. This third video is intended to show you the possibilities of what the light can look like when simply corrected to neutral in post. The third video is similar to the second, but this time, halfway through each LED clip, the LED images will be manually white balanced with the dropper tool using the gray card to neutralize the color. This is where you really see the differences.
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For example, the daylight or Tungsten control shot will be on the left side of the screen, and the LEDs will cycle through as they did with the first video, but this way you can directly compare the color quality versus the control group. The second video is a direct, side-by-side comparison of each light versus the control.
Picture perfect ultra thin portable led light table full#
Then, it cycles through the different lights, one after another, full screen with the C700 readings displayed on the right side, so you can see what is happening with regards to the spectrograph and magenta/green readings. The first video starts with the control light for each group, daylight and Tungsten.
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The videos are self-explanatory, for the most part, but here is a quick breakdown: In this post, you'll watch videos of the tests and then have the chance to read some of my thoughts on each light. Not everything on my wishlist made it to the set, but we got a wide range of lights from all price points, covering the major manufacturers-both legacy and newcomers. This year, as a follow-up, I wanted to go a bit more in-depth to seek accurate results with a wider variety of lights. LED lights for filmmaking are trying to achieve a few things: match Tungsten, match daylight, or create RGB blends to for pure colors. I purchased the brand I thought performed the best and shared my findings here. So I borrowed a C700 from my friends at Sekonic and went to B&H-the only place with a showroom full of LEDs-and I started metering the lights. There were tons of reviews online, but very few direct comparisons between the brands, and not much actual data about the color quality available. I was looking to buy LEDs, but, having used some of the older classic LED panels, I was concerned about the quality of color LEDs at the time were not known for color accuracy. Last year, I compared 11 LEDs on this site, merely out of curiosity. This LED shootout compares 28 lights, ranging in price from $599 to $10K.